The Rich Man and Lazarus: Afterlife Imagery as a Social Critique of the First Century Audience
The Rich Man and Lazarus: Afterlife Imagery as a Social Critique of the First Century Audience The story of the Rich Man and Lazarus is one of the most vivid and emotionally charged passages in the Gospels. It unmistakably employs imagery of the afterlife. Yet recognizing that the story takes place beyond death does not mean it was intended as a systematic explanation of the afterlife itself. Ancient Jewish storytelling frequently used symbolic depictions of postmortem judgment—scenes of reversal, separation, and reckoning—to deliver moral and social critique. In other words, the parable is about the afterlife, but it is not teaching the mechanics of the afterlife. It uses the imagery of the beyond to expose the realities of the present. Afterlife Imagery, Not Afterlife Geography Second Temple Jewish literature regularly portrayed afterlife scenes as symbolic stages upon which moral truths could be dramatized. These were not cartographic maps of heaven and hell, but metapho...